Sew News Magazine


High Tech:
Photo Transfer Basics
N A N C Y   Z I E M A N

Add images to fabric--
     and create a truly unique piece!
Introduction
Technically Speaking
Selecting the Fabric
Images
The Transfer Process
An Easy Out
Remember the Copyright
Iron-on Transfers
Resources

Introduction Something wonderful happened when technology began letting us put images onto fabric. People began incorporating photographs of family and friends--plus images from marriage licenses and diplomas--into garments, scrapbooks and quilts. Photocopiers and computer printers are lending new ways to discover the joys of sewing and quilting.

Technically Speaking The term "photo transfer" is misleading because we aren't limited to transferring only photographs. Anything copied or scanned, even three-dimensional objects such as leaves, feathers or buttons can be turned into a fabric image.

There are two methods of transferring images to fabric. The first copies or prints the image onto an iron-on transfer paper and then it's ironed onto the fabric. The second method prints directly to fabric prepared for printing.

  • Will you use a photocopier or a computer printer? To copy an image, take it to an experienced copy shop that works with transfers. A do-it-yourself copy machine may not print on transfer paper or fabric.

    Computer laser and ink-jet printers operate differently. A laser printer uses heat to set toner on paper and an ink-jet printer (sometimes called a bubble-jet printer) squirts the ink onto the paper without heat. Most copy shops use laser printers, which produce a better image than ink-jet printers. Make sure the transfer paper or fabric sheet is made for the equipment you're using--read the label carefully.

  • Do you want to iron or print the image onto fabric? Iron-on photo-transfer paper requires test samples to develop the right touch and iron temperature. It allows you the freedom of cutting and grouping your images without working on a computer.

    Printing the image directly onto fabric is reliable and eliminates the ironing step. You'll need the digital image on your computer and be able to use imaging software to manipulate it if desired.

Selecting the Fabric Images will show up best on white, cream or pastel fabrics. Subtle tone-on-tone, small print or marbled fabrics also will work--avoid dark colors or busy prints. The image will be sharper on fine-woven fabrics; smooth silks, satins and sateens give a rich "painterly" result. Linen or textured fabrics can be used, but the image won't be as clear; test the fabric to see the results.

To print the image, you'll need fabric prepared for printing sold in fabric and office supply stores. Products also are available to prepare your own fabrics, which will increase your choices.

For iron-on transfers, the fabric must be able to withstand 350° to 375° heat. Read the transfer paper instructions to learn how to prepare the fabric for the process you've chosen.


Images Avoid using dark images as they tend to get darker during the transfer process. Images with good contrast between the lights and darks will work better.

Use an image just the way it is or alter it in some way. Play with color--give a black-and-white photograph an antique-looking sepia tone by adjusting the color on the photocopier. Use permanent markers, colored pencils or textile paints to fill in, accent or personalize photographs. Make collages or cut away distracting backgrounds. Image editing software can manipulate and change digital images on the computer. For more information, see Resources at the end of this article.


The Transfer Process Transfer papers and fabric are not created equal. Try several different brands and evaluate the following:

  • Package clearly states ink-jet or laser printer, iron-on or print directly on fabric

  • Understandable instructions

  • Photocopier or computer printer compatibility

  • Fabric preparation information and colorfast treatment

  • Special storage needs

  • Customer service number

  • Color and detail reproduction quality.

    Test, test, test. Every time you try a new image, your fabric, transfer paper or fabric, and photocopier or printer may be different. Testing every step will give better results with less frustration. It's good to wash the test sample according to the instructions.


An Easy Out


If you'd like to incorporate images in your work but don't have the equipment, there are companies who'll do the work for you. Some copy shops provide this service--check to see if they'll use your transfer paper or fabric, or only their own. Another option is to send the images to companies who print photos onto fabric and then send them back to you. (See Sources at the end of this article.) Take advantage of their expertise. Tell them what you're making and how you'll use it so they'll know the best process to use.

Remember the Copyright If you didn't create the picture, drawing or document, you don't own the right to copy, distribute or sell it. You do have the right of "fair use," which means you can copy an image and print it on a pillow for your own use, but you can't make more pillows for resale. If the image is copyrighted, you must get permission in writing from the copyright owner.

For more information about these regulations, contact the U.S. Copyright Office, Library of Congress, 101 Independence Ave. S.E., Washington, DC 20559-6000, (202) 707-3000, www.lcweb.loc.gov/copyright/.

There are thousands of copyright-free clip art or computer click art images available. Check the source for any restrictions that may apply. Also check the Library of Congress and your local library for photo sources in the public domain.


Iron-on Transfers When making iron-on transfers, the image must be reversed, especially if the original has text in it. Use the mirror-image option available on most photocopiers and printers, then test the transfer to be sure the image is correct after ironing it to fabric.

Pressing Pointers
With practice, you can get excellent results with iron-on transfers. Most transfer papers recommend a dry iron at its highest setting (cotton/linen). Iron just the fabric first to warm it up--transfers adhere better to a hot surface.

  • Position the transfer printed-side-down on the fabric and press down hard with the iron for as long as the instructions specify (20 to 30 seconds). Slide the iron to the next area and repeat. Apply pressure evenly over the whole transfer.

  • While still hot, lift a corner to see how the transfer looks. If okay, peel the paper off in one steady motion while it's still warm; pull with the fabric grain, not the bias.

  • A heat press might be a good investment. It's easier to use, is more consistent and has a larger surface for bigger transfers.



Nancy Zieman, host of public television's Sewing With Nancy©, invites your questions and ideas. Sewing With Nancy© is sponsored in part by Sew News magazine.

Credits,
Resources

& Sources
A special thanks to June Tailor who supplied the projects for photography.

Resources
Instant Fabric: Quilted Projects From Your Home Computer by Livia McRee, That Patchwork Place, Martingale & Company, 2001; available in fabric and bookstores nationwide or call (800) 426-3126 or visit www.patchwork.com to order.

The Photo Transfer Handbook by Jean Ray Laury, C&T Publishing Inc.; to order, call (800) 284-1114 or visit www.ctpub.com.

Sources
PhotoMagic of Brighton, Dept. SN, 8018 W. Grand River Ave., Brighton, MI 48114, (800) 442-2580 or (810) 227-0780, can transfer images in three working days. Visit www.ismi.net/photomagic for information and pricing.

Robbins Nest, Dept. SN, Box 707, Lindstrom, MN 55045, can transfer images in a week to 10 days. Visit www.robbinsnestcustommachinequilting.com or call (651) 257-6638 for more information.


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PRIMEDIA Inc.
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